The motherland of street art, your favorite daily updates, check the latest walls, exhibitions, books and much more. The world is one.
the street is our gallery
The motherland of street art, your favorite daily updates, check the latest walls, exhibitions, books and much more. The world is one.
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On a sunny Easter morning, thousands of people gathered at ‘The Green’ ready to start the first street art tour introducing the interventions and murals that were created for Nuart Aberdeen 2019.
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Bergen based Skurk – who will be debuting new work at Nuart Gallery on Wednesday 5 September – kicked off this year’s Nuart Festival proper with a beautiful new mural as part of their Observer series of works.
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Street Art’s answer to the Pre-Raphaelites Snik with a beautiful new piece for Nuart Festival 2018. UK Street Art duo Snik have kicked off this year’s Nuart Festival with an incredible hand-cut stencil
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Stavanger, host to the world’s leading Street Art Festival, Nuart, has commissioned a series of curated Street Art Buses with the latest artwork coming courtesy of Belgian mischief maker Jaune.
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Back at Nuart after three years of absence, the Portuguese artist ±MaisMenos± realized two outdoor pieces in the Norwegian city of Stavanger.
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Moscow-based Slava Ptrk has taken part in the 17th edition of Nuart Festival with two outdoor murals, both stenciled and yet completely different from each other. First of all, Slava Ptrk painted “Poppies” on the side of the hotel Havly in downtown Stavanger.
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Art activist Vermibus took part in Nuart Festival by interpreting this year’s theme –Power in the Public Sphere- with his interventions through the city of Stavanger, to question who has the power and authority to communicate messages in public spaces.
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Besides contributing to the all-time Nuart classic ‘Aftenblad Wall’ (a large-scale billboard that has been taken over by different artists in the past years), the Australian Ian Strange left his posters of suburban homes with some bizarre twist all around the city of Stavanger.
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For this year’s edition of Nuart Festival, the Russian activist and interventionist Igor Ponosov brought his characteristic ‘street conceptualism’ to the sea. Titled “Too Far, Too Close”, his main piece was realized on a typical Stavanger sailboat, which was sailing the bay twice a day.
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