In a joint exhibition, the artists show Martin Gerstenberger and Odor Odessa their wood sculptures, in a combination of finds and elements of eachown sign language occupy the 3-dimensional space.
Due to the predominant use of waste wood residues and the picking up of folkloric as well as pop art elementsand forms an exciting symbolism, which in their
Core creates subtle contrasts to the present. Without much raised index finger is between Doomsday and Paradise 4.0 in a playful way a childlike innocent
The artists are present at the vernissage