An exchange of position and points of view; between real and perceived; between present, past and possible future; between near and far.
An intangible but decisive awareness that must be achieved despite the barriers created by habits that are too little questioned and policies far from a balance, both natural and human.

The imminence of reality that is kept distant, separate, despite its being inexorable and necessary.

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Inspired by the peculiar position of the two walls, very close between them but facing in different directions, NEVERCREW imagined a sort of photo album, a series of containers of different realities. It then took shape on the border between reality and its perception, where the human gesture of taking a photograph becomes at the same time an act of possession, a caging, a limitation, but also an attempt of understanding and the emphasis on something that must be looked at and, possibly, preserved.

In the ambiguity of the represented time, there’s the memory of something distant and that concerns us, of which a small portion remains, together with the doubt about its current continuity. In the relationship with the context, frames and proportions demarcate a distance, the conditioned perception and awareness, the tangible unbalance and a natural truth that reveals itself regardless of the geographical position.

All pictures by NEVERCREW

Nevercrew: 

http://www.nevercrew.com 

https://www.instagram.com/nevercrew

https://www.facebook.com/NEVERCREWpage

 LeMUR Nancy: 

https://lemurnancy.fr

https://www.instagram.com/lemurnancy  (@lemurnancy)

https://www.facebook.com/lemurnancy

The post NEVERCREW murals in Jarville-la-Malgrange appeared first on I Support Street Art.

About the work:

Starting from the peculiar structure of the wall and its safety stairs, we based the idea on a vertical propensity, on layering, on the possibility to look the same context from different points of view, on detachment from the ground and the planet, on the constant exchange that exist between all the parts of the overall environment.
We then built a project about the relationship between humankind and nature, with a specific focus on human responsibility both in the damages and in the possible solutions, on the global warming and on a global and emphatic perception of the environment that too often is replaced by a narrow, deformed, detached and cynical look based on economicaI criterions; on consume and abuse.

Nevercrew:

http://www.nevercrew.com

https://www.instagram.com/nevercrew

https://www.facebook.com/NEVERCREWpage

Wir Leben Klimashutz / Stadt Luzern:

https://www.wir-leben-klimaschutz.ch 

https://www.stadtluzern.ch

Credits: All pictures by NEVERCREW

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The wall is directly connected with the previous one we realized in Grenoble in 2016 (“Ordering machine”), bringing forward the dichotomy between needs and exploiting, between belonging and appropriation, to recall the distorted perception that humankind has of nature, the idea of human systems that are far from a balance with nature and consequently from a balance with humans themselves, of systems that are made from humans but not for humans, and the demonstration of this, beyond the evident social imbalances, in the fact that humankind is incoherently destroying the same environment of which is part and that allows it to exist.

A faulty perception of the relationship with nature, an influenced vision of truth that anesthetize empathy despite the evidences. The human position in an overall global system where seems impossible be aware of the situation, of the emergency, while continuously suffering its direct consequences.

Related Links: 

Nevercrew

 http://www.nevercrew.com

https://www.instagram.com/nevercrew

https://www.facebook.com/NEVERCREWpage

Arte Urbana Lugano

https://www.streetartfest.org

https://www.instagram.com/grenoblestreetartfest/

https://www.facebook.com/grenoblestreetartfest/

All pictures by NEVERCREW

except n°18, 19 by @AndreaBerlesePhotography and @grenoblestreetartfest

The post New NEVERCREW mural in Grenoble France appeared first on I Support Street Art.

This work wants to evoke at the same time an estrangement and a focus on a little part of the balance in which we’re all involved. A perceptual estrangement from the overall balance, from the awareness of each one’s role in it, but also a physical distortion and a forcing that comes from human attitudes and actions.

A balanced structure that’s apparently decontextualized and simultaneously heavily connected with the context, and that in relation with the context highlights its fragility when proportions are no longer how they should be. A small part taken from the whole that surrounds us and affects us all.

Nevercrew:
http://www.nevercrew.com
https://www.facebook.com/NEVERCREWpage
https://www.instagram.com/nevercrew

Arte Urbana Lugano:
https://www.instagram.com/arteurbanalugano
(@arteurbanalugano)

The post “Close up” mural by NEVERCREW in Lugano appeared first on I Support Street Art.

There’s an environment that lost its balance, resources that are no more available, something that’s going to miss also for the same humans that need to benefit of it, but that nevertheless keep moving in the same direction.

Nevercrew:

http://www.nevercrew.com

https://www.facebook.com/NEVERCREWpage

https://www.instagram.com/nevercrew

 Artrust:

https://www.artrust.ch

www.instagram.com/artrust_sa

https://www.facebook.com/artrustsa/

Urvanity Art Fair:

https://urvanity-art.com

https://www.instagram.com/urvanityart

https://www.facebook.com/urvanityart/

Credits:

All pictures by NEVERCREW

The post “Offset” NEVERCREW mural in Madrid appeared first on I Support Street Art.

About the work:

This project starts from the Gange river, from its importance, its life and its waters, that since years are suffering human habits.

According to NEVERCREW : ”We chose a human “gesture”, something innocent and at the same time as polluting as useless, to recall waste and exploitation, to recall human responsibilities and the detached perception of the situation. A game, a decoration, with all its superficial effect, that’s been used and abandoned. An environment that’s transforming due to exploitation and abuse. A claustrophobic drift in a balance that’s currently stationary between its oblivion and new breath to inflate it.”

Nevercrew:

http://www.nevercrew.com

https://www.facebook.com/NEVERCREWpage

https://www.instagram.com/nevercrew

Varanasi Art Project / Mojarto:

https://www.facebook.com/mojartoofficial/

https://www.instagram.com/mojarto_official/

The post NEVERCREW mural in Varanasi, India appeared first on I Support Street Art.

About the work:

For this work, that faces the Adour river and it’s at one of the sides of Pont Saint-Esprit, in connection with the past relation that Basques had with whales we worked on the idea of shifting, of transformation, evolution and movement.

Here, on a first level, we want then to recall the human act of compressing nature through exploitation, pollution and physical appropriation of space. The seven whales, at the same time swimming in their element and laying on human ground, are shown in a moment of balance between sinking and floating, between collapsing and moving, between depths and surface, between attraction and repulsion, between dirt and clean, in a delicate and specific instant that shows the emergency, but could still permit to choose the direction.

——

Nevercrew:

http://www.nevercrew.com

https://www.facebook.com/NEVERCREWpage

https://www.instagram.com/nevercrew

Points de Vue:

 https://www.pointsdevue.eus

 https://www.spacejunk.tv

 Credits: All pictures by NEVERCREW

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Thinking about a symbolical net, a twine of transfers and projected thoughts, and as well as the imagine of a production line both mechanical and human, we then worked on communication, movement, relocation and interaction, and so on transformation, and we extended this to an overall vision where the human system and the natural system are interconnected in a continuous and mutual mutation. A mutation that of course is in part automatic and spontaneous, but also the consequence of direct actions and choices that could interfere and redefine the path and the balance.

The artistic crew intended to connect all these elements to their usual content, and this is the result. Enjoy the images they have been so kind to share with us.

“Shifting machine”
Mural painting realized on the new STISA SA packages center in Cadenazzo (CH), 2019.
46°09’19.1″N 8°56’28.2″E

Nevercrew (Christian Rebecchi & Pablo Togni) :

http://www.nevercrew.com

https://www.facebook.com/NEVERCREWpage

https://www.instagram.com/nevercrew

Credits:

All pictures by NEVERCREW except progress and drone pictures by Paul Nicol and Dino Martignoni

The post NEVERCREW “Shifting machine” Mural in Cadenazzo, CH appeared first on I Support Street Art.

About the work:

This work wants to refer to carefree in two overlapping logics: the positive one of the game and the negative one of the lack of conscience and the unnatural use of resources. A carefreeness that’s about acting unaware of the large-scale repercussions of the exploitation of resources, of what precedes and follows every small action and, at the same time, a reference to the lightness of the game, to all that is now put at risk for the generations that will hold the future of the planet.
This image wants to relate the viewer both with the specific place and subject, and with a more global vision of the problem, evoking the planetary emergency we are experiencing and the position each one have or could have into it.

——

Nevercrew:

http://www.nevercrew.com

https://www.facebook.com/NEVERCREWpage

https://www.instagram.com/nevercrew

Toward 2030:

https://www.lavazza.it/it/landing/toward-2030.html

The Global Goals:

https://www.globalgoals.org

Credits:

All pictures by NEVERCREW

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